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Windows on the World Paperback | Pages: 320 pages
Rating: 3.62 | 3304 Users | 138 Reviews

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Original Title: Windows on the World ISBN13 9781401359881
Edition Language: English
Literary Awards: Prix Interallié (2003), Independent Foreign Fiction Prize (2005)

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Windows on the World debuted at #2 on the French national best-seller list and won the prestigious Prix Interalli prize in 2003. Now available in paperback, this unprecedented novel will once again astonish, provoke, and embrace the reader as it attempts to penetrate the unspeakable. Windows on the World unflinchingly imagines the moments from 8:30AM to 10:28AM inside the World Trade Center on September 11. Weaving together philosophy, myth, world politics, and humor, Beigbeder succeeds in creating a tapestry of fury and wonder, a tribute to thousands of unsung heroes.

Mention Of Books Windows on the World

Title:Windows on the World
Author:Frédéric Beigbeder
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 320 pages
Published:March 22nd 2006 by Miramax Books (first published 2003)
Categories:Fiction. Cultural. France. Contemporary. European Literature. French Literature. Novels

Rating Of Books Windows on the World
Ratings: 3.62 From 3304 Users | 138 Reviews

Evaluation Of Books Windows on the World
I read several reviews comparing this book to Ian McEwan's Saturday and Jonathan Safran Foer's Extremely Loud and Incredibly Close . All address September 11 or its aftermath in some way. I planned to read all three. I got through Windows and Saturday, but could not get past chapter one of Extremely Loud. This book was published in France well over a year before the translation was available in the U.S. It caused quite an uproar, undeservedly in my opinion. What I find most interesting about

less offended by the subject matter (recreating last hour of 9/11 atop WTC) or even the jokey tone - than the piss-poor quality of the prose itselfthis is a really shitty book, irrespective of its 'transgressive' nature more evidence that the degeneration of the Arts is pandemic (Windows won the Prix Interallie)

Definitely a YES!I remember reading Beigbeder when I was a teen & when new dandyism was the actual trend in Paris I was cut between hating his view on life -cynical, alcoholic, boho- and it's incredible quality on writing.But now, ten years later, it's a revelation : what kind of delicious character is that Beigbeder! He makes me think of Rousseau in the Confessions "total narcissism hidden on a sort of self indulgence, unbearable but so attractive!"I don't know if it was that book (the only

This book was so eye opening for me. I know a lot about 9/11 Ive seen so many documentaries on it, and yet I still learnt more throughout this book. The story goes into horrifying detail about what it would be like to be trapped in the tower, through the heat, the smells, the panic; it all felt so real. The words and phrases he uses to describe it really did make me feel like I had a sense of what it would be like to be trapped there. If you have been through a similar experience like this or

We know that none of the 1,344 people trapped on the nineteen floors above survived. Obviously, this piece of information removes any element of suspense from this book. So much the better: this isnt a thriller; it is simply an attemptdoomed, perhapsto describe the indescribable.One of my reading resolutions for 2018 is to complete all of the past winners of the two premier prizes for literature in English translation - the Best Translated Book Award from the US and the Independent Foreign

Fell in love with this book, I found that the author did a great job of getting into the characters' heads and portrayed the events quite realistically as if we(the readers)were there witnessing the horrors with our own eyes and smelling our own flesh burning.

One must be shameless to write such a book. Beigbeder is and I respect (admire?) that. The novel is both a tribute to 9/11 victims and an European tribute to American pop culture. Great references to J.D.Salinger, Hemingway, B.E.Ellis and many more, including also musicians and directors.The generation of '2001' truly is a beautiful catastrophe.

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